They adjusted the way the entire country can look at itself. You can sense that convergence haunting the fiction of Jesmyn Ward.įor eight years, all sorts of black artists sailed through the White House, and shaped the depiction of black America, by thinking transcendently, trenchantly, truthfully. You can see the imprint of the Barack Obama presidency on “Black Panther” Black Lives Matter on Beyoncé the country’s prison crisis on Kendrick Lamar. That convergence was evident in the farce of “Chappelle’s Show” on the pair of albums D’Angelo released 14 years apart. It’s the first time since the 1970s that black art, history and political life have come together in such a broad, profound and diverse way. Over the past 20 years, a new vanguard of African-American creators has helped define the 21st century.
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